Analytical Exercise

Commentary on Let It Go

Lyrics:

The snow glows white on the mountain tonight

Not a footprint to be seen

A kingdom of isolation,

And it looks like I'm the queen.

The wind is howling like this swirling storm inside

Couldn't keep it in, heaven knows I tried!

Don't let them in, don't let them see

Be the good girl you always have to be

Conceal, don't feel, don't let them know

Well, now they know!

Let it go, let it go

Can't hold it back anymore

Let it go, let it go

Turn away and slam the door!

I don't care

What they're going to say

Let the storm rage on,

The cold never bothered me anyway!

It's funny how some distance

Makes everything seem small

And the fears that once controlled me

Can't get to me at all!

It's time to see what I can do

To test the limits and break through

No right, no wrong, no rules for me I'm free!

Let it go, let it go

I am one with the wind and sky

Let it go, let it go

You'll never see me cry!

Here I stand

And here I'll stay

Let the storm rage on!

My power flurries through the air into the ground

My soul is spiraling in frozen fractals all around

And one thought crystallizes like an icy blast

I'm never going back,

The past is in the past!

Let it go, let it go

When I'll rise like the break of dawn

Let it go, let it go

That perfect girl is gone!

Here I stand

In the light of day

Let the storm rage on,

The cold never bothered me anyway!

Let It Go is everywhere, and it’s not disappearing without a fight. It’s the main reason why the Frozen soundtrack has been the No 1 album in the US for nine weeks and counting – Beyoncé only managed three – and a significant reason why the film became the highest-grossing animated movie of all time. It’s no mystery that Let It Go has become a sensation among our generation now.

Now although this song can be interpreted in many different ways, even as an LGBTQ anthem, I’ll be arguing why this song deserves to be in an anthology of the greatest songs of this century.

Let It Go mainly serves as an aperitif for adolescence. It’s a moment of transition and upheaval which conveys the giddy, reckless buzz of expressing yourself without considering the consequences.

The line "Let the storm rage on" is followed by "The cold never bothered me anyway" - a line worth remembering, as it's said twice, sung in a different style, and is the last line of the song. Now the “cold” could be applied to any problem an individual could be facing. It is a time where feelings are raw, unpredictable, terrifying and new. Elsa however was afraid of her lack of control of her powers and the resulting isolation from other people.

Note, how she turns around and slams shut the doors. This is her way of dealing with her problems. It is also similar to how a lot of adolescents shut people out and bottle their emotions in difficult situations, especially with their loved ones.

Another line in the song that's a self deception is when she says "You'll never see me cry". Both this line and "the cold never bothered me anyway" are the kind of things said by people who are trying to convince themselves. It is studded with the language of refusal: “not”, “couldn’t”, “can’t” (twice), “no” (three times), “never” (four) and “don’t” (five).

Lastly in the matter of lyrics, consider the title of the song itself, "Let It Go", which is sung repeatedly. What is she letting go of? It is obvious, that Elsa lets go all of her restraints, especially with her powers. This is the positive element in the song, and what most listeners unfortunately latch on to, to the exclusion of other elements. It is a jubilant celebration of release for those who have been living in fear or bondage.

But personal empowerment, though good, is fraught with danger, as indicated by the next line: "No right, no wrong, no rules for me” (an ode to moral relativism). She lets go of her sense of right and wrong, of the rules and restrictions that being a "good girl" imposed on her. Now obviously some of the rules may have been constraining but they were also for the safety of her and others. How much of that is she letting go? Only some specific rules? All of it? The entire concept of goodness?

Honestly, anyone could relate to this. In adolescence, it is inevitable when exploring and discovering oneself to have to question everything and take risks and to be confronted with such choices.Who hasn't felt that they could become more powerful if only they let go of other people and their restrictions and morality? Who hasn't felt that there is nothing they could do in certain helpless situations, powerless despite their abilities? And who hasn't felt their soul imperiled by these feelings?

Although I’ve interpreted as more of an aperitif to adolescence, I do believe that it applies to the entire human population, despite age. In the end, this song expresses the uncertainty we have with human nature. It expresses the confusing array of emotions that we’ve all felt when confronted, especially with power.Yes, the song is about empowerment, but there is also tragedy, anger, bitterness, and self-deception in it, in even greater measure. Even though it doesn’t convey an utopian ideal, it does something more. It expresses a phase which many of us have experienced since the beginning of our time, and it teaches us a lesson.

How to Write About Muslims

When writing an article on Muslims, there are rules.

Rule #1: Make sure to use the words 'Terrorists' or 'ISIS' in your title. Other words you can use are 'Jihadi', 'Attacks' or 'Cult'.

Rule #2: All Muslims are the same. If one forces his daughter to wear hijab, they all must. If one beats his wife, it must be because the Qur’an told him to do it. And if one young Muslim woman gets a PhD and then chooses a husband…oh wait, no…that would obviously never happen.

Rule #3: Always assume a Muslim woman needs to be saved, and write accordingly.

Rule #4: Ignore positive examples.

Rule #5: It Is Always the Muslim’s Fault. 

Rule #6: Always be confident that you know everything there is to know about Islam, and that you understand it better than most Muslims do.

Rule #7:  In the unlikely event that you are missing any information regarding Muslims, consult a Muslim spokesperson with whom most Muslims will disagree (because Muslims generally have a poor understanding of their own experiences and cannot be trusted to provide reliable information.)

Rule #8: Everything Muslims do has to do with Islam and Islam alone. Their cultural background and its possible influences in their lives must be ignored.

Rule #9: If culture is mentioned, ensure that it is clear that it is inherently barbaric and violent (especially toward women.)

Rule #10: Always remember that Muslims are not real Canadians (or Americans, British, etc.)

Rule #11: Only Trust Muslim “Reformists.” You can only consider the voices of Ayaan Hirsi Ali, Irshad Manji, Wafa Sultan, and Mona Eltahawy. Theirs are the only valid voices of Muslim women, because they've realized the error of their ways. Never trust a woman wearing hijab – obviously someone put her up to it.

Rule #12: Be as melodramatic as possible. Enhance this through your use of provocative words. For e.g when talking about women, emphasize their abuse. Use words such as 'prisoner' or 'chained'. This wording successfully suggests that the lives of Muslim women are not free, and it is only in death that they can achieve this freedom. Conversely, non-Muslim women have zero constraints in their lives and are always, always free.

Rule #13: Make a few jabs at feminists. Point out how useless feminists are when it comes to Muslim women. They should know that they are supposed to speak for all women, and that all women have exactly the same needs. Any desires to repect and honour women of diverse cultural backgrounds should be seen as incompetence.

Rule #14: Take Every Anecdote As Gospel. It’s important, of course, that whenever you have a negative experience in a Muslim country, you make general, sweeping statements about how that experience is the norm, like “It is well known that the Arabs and Muslims kept and still keep sex slaves” and “A fully ‘covered’ girl-child, anywhere between the ages of 10-15, may still be forced into an arranged marriage, perhaps with her first cousin, perhaps with a man old enough to be her grandfather, and she is not allowed to leave him, not even if he beats her black and blue every single day.”Nevermind the thousands of Muslim women who are waiting until they finish their educations to get married. Nevermind the legal reforms. Obviously, only negative experiences count, because all Muslims are the same!

Bonus marks: Sneak in a reference to Israel, especially when it is completely irrelevant.

Paper 2 Practice

In Things Fall Apart, Achebe indicates that in Igbo cultures, proverbs are the palm oil with which words are eaten. A proverb, is a phrase which briefly yet strikingly expresses some recognized truth or observation about practical life which has been preserved by oral tradition. Achebe makes use of the proverb to provide a 'grammar of values' to which the protagonists can be measured to. Therefore, it reminds the audience of some of the motifs in the novel such as importance of status and the value of achievement; and reiterate themes. In chapter one, the proverb “He who brings kola brings life” is used to show the audience the value and the tradition of passing the kola nut for fellowship and alliance in Igbo culture. Many of the proverbs refer to animals in the bush to make a cultural point. The proverb, "Let the kite perch and let the eagle perch too. If one says no to the other, let his wing break” uses natural imagery to compliment the process of making (or breaking) covenants, in this case between Nwakibie and Okonkwo. Some of the proverbs use local myths or mythical characters to illustrate a point. Nwakibie also uses a proverb to describe his wise and careful attitude toward those who would borrow from him. He says, “Eneke the bird says that since men have learned to shoot without missing, he has learned to fly without perching". Achebe also uses proverbs and sayings to describe his characters especially Okonkwo. He is described by an old man thus: “looking at a king’s mouth one would think he never sucked at his mother’s breast”. Such a proverbial descriptor defines Okonkwo as being proud as a king but also very self supporting and having a quick rise to fame and fortune. The proverb makes his character so much more vivid and alive than any other literary device.

Achebe also includes traditional songs scattered throughout his novel. Many of the songs combines cultural themes and traditions with imagery that helps the reader share the Igbo's vision of their world. In addition, Achebe translates the villagers’ songs into English but leaves Okonkwo’s song in its original language. Since a majority of the village later becomes Christian and colonized, their songs could be written in English to show the “shiftiness” of their hearts and their inevitable surrender to English occupation and rule. However, Okonkwo is never subdued by the English or Christianity so his mind and heart is unreservedly African. Perhaps that is why Achebe leaves his thoughts un-translated.

Myths represent a society's perception of the deepest truths. Myths have their roots in the primitive
folk beliefs of a people or a nation and generally present supernatural episodes as a means of interpreting natural events in order to concretize or particularize a special perception of man
or his cosmic view. Myths tries to explain away the origin of creation, the origin of life and death, and tries to account for natural phenomena and the great forces found in nature. In Things Fall Apart a memorable folk tale is told Ezinma by her mother Ekwefi. It is the story of the birds

and the tortoise who accompanied the birds to a great feast in the sky. The simple tale of Tortoise and the birds is a parallel for the entire novel. It is the story of the sudden rise and fall of Tortoise, just as Things Fall Apart is the story of the rise and fall of Okonkwo. The story says that the birds lent Tortoise their feathers so he could accompany them to the sky. This is similar of the massive communal support given to Okonkwo by his people that enabled him to be Umuofia's proud and imperious emissary on a mission of war to Mbaino where he "was treated with great honour and respect" just as the hosts in the sky took Tortoise "as the king of the birds". After Okonkwo's elevation to membership in the highest decision-making body in the land, he is exiled to Mbanta , abandoned even by his closest friends who took part in destroying his compound. After Tortoise is elevated to the highest place in the sky, he is exiled there abandoned by all the birds, his former friends. Tortoise, finding himself deserted in the sky, sent word to a woman, his wife, to arrange for his survival. This parallels Okonkwo's flight to his maternal land and kin for survival. The folk tale tells us that when Parrot misinstructed Tortoise's family, he fell and "his shell broke into pieces." This reflects Okonkwo's return from exile only to find Umuofia "breaking up and falling apart". Now, the folk tale says that a great medicine man gathered all the bits of shell and stuck them together to give Tortoise his rough "skin." After Okonkwo's suicide, the tribe, though broken, was held together and stuck together by the sheer resilience of collective will, after, according to Obierika, the white man has "put a knife on the things that held us together and we have fallen apart". Tortoise survives, a patchwork of himself, just as Igbo clanship survives.

In many ways, Achebe uses Igbo folk ways to enrich his narrative, to give it form and structure, and from there, to inoculate it with meaning. This is the tradition he has established in the African novel.

Memoir Obierika

Things have fallen apart. I sit here, staring beyond the open yam fields. Yams used to be a "man's crop", it symbolized our culture. Now, it is traded with the foreigners, our culture has been sold to them. But for what price? 

The white men had quietly snaked through our homes. They waved their Bible in the air, a white flag of 'peace'. It was all a lie. From the very beginning.And I should have done something. Okonkwo, "a man of great action", my closest friend, had tried. He dreamed for war against the white men. Despite being one of "the greatest of men", a true warrior, he had lost this battle of power. Losing it, Okonkwo could not stomach it. He hung himself.

But what of our own people who are following their way? How do you think we can fight when our own brothers have turned against us? The white man "has put a knife on the things that have held us together and we have fallen apart."

Before, the harmony of our world was in place, the reality of our beliefs remained throughout the tribe and our father Chukwu, and most of all, the men and woman of Umofia were fighters, strong fighters. Now decades of tradition, knowledge and power from out ancestors have cracked. They've been turned to dust, blown away by this new lunatic religion, Christianity. It has broken us apart.  It is forcing us to bow down. It is our destruction. 

We underestimated them. They were smart and strategic in their moves. Although Mr. Brown was a gentle and curious soul, he used our religion against us. Using our flaws to give the outcasts hope. We no longer faced them as a unified front and this made opposing them that much harder. The white men did not try to eradicate us by force yet, they preached on our village walkways, promising happy lives and afterlives, and by fraternizing with the untouchables of the clan. Our community was lost.

How easily they stripped us of our power and bent us into submission through their promises of religion and education for our sons and daughters. What we didn't realize was that this education they were offering was simply to shape and form us into mere cogs in their large machine. Only to serve for their needs. 

They promised us salvation and gave us destruction. Things have fallen apart.

Discuss the significance of social status on Things Fall Apart, and comment on its contribution to characterization.

In Igbo culture, personal achievement is emphasized. "Age was respected among his people, but achievement was revered." (Ch. 1, pg. 6) Hereditary succession to titles contradicted their notions of leadership. A man gains titles through acquisition of wealth through hard work. This is usually achieved though his productivity of his yam fields, his bravery in war or/and his athletic skill as a wrestler. Marriage, wealth and the acquisition of titles enabled individuals to advance socially. Indirect characterization is achieved in Things Fall Apart through social status. 

Okonkwo "won fame as the greatest wrestler in the nine villages. He was a wealthy farmer and has two barns full of yams, and had just married his third wife. To crown it all he had taken two titles and had shown incredible prowess in two inter-tribal wars...He was already one of the greatest men of his time." (pg. 6, Ch. 1) He is proved to be both extremely hardworking and physically capable. These principal accomplishments establishes Okonkwo's important position in Igbo society. Through this, Achebe shows us that Okoknwo values achievement, power and recognition. "As the elders said, if a child washed his hands he could eat with kings. Okonkwo had clearly washed his hands and so he ate with kings and elders." (pg. 6, Ch. 1) Furthermore, Achebe sets up Okonkwo as man much respected for his considerable achievements and noble virtues-key qualities of Aristotle's tragic hero. Driving himself toward tribal success and recognition, he is trying to bury the unending shame that he feels regarding the faults of his late father, Unoka. Essentially, Okonkwo exhibits qualities of manhood in Igbo society. This gives us further insight into Okonkwo's perception of his culture and how this leads him to create his own social identity.

Character Analysis of Okonkwo

In Things Fall Apart, a predominant concept is the consequences of European colonization has on African civilization. It deals with the social and psychological conflicts created by the invasion of the white man and his culture into the former self-contained world of African society, and the disarray of the African consciousness that has followed. Achebe shows the disintegration of the tribe, their 'falling apart'. Achebe parallels this in the rise and fall of Okonkwo, who represents the internal weaknesses within the native structure and the divided nature of Igbo society and culture. Thus, Okonkwo himself becomes a symbol of this disintegration. This is further developed when there's not only the weaknesses and mistakes of the hero, but also the weakness of the tribe, who despite their power among the local clans, cannot resist the colonizing effort. 

When the Europeans invade, Okonkwo is one of few who resist and he ends up dead at the end of the novel. His refusal is a form of resistance to conforming to the ways of the white man as well as a rejection of his own culture as he has made a terrible transgression in committing suicide and will not be buried in the warrior style that he deserved. In this way Okonkwo rejects his own tribe members for their cowardice and lack of support. He took his life when he realized he did not have any more power. Ironically, Okonkwo loses his standing in both value systems despite his life desire to be successful and recognized.

Practice Paper 1 Analysis (Political Speeches)

 Tryst with Destiny was a speech made by Jawaharlal Nehru, the first Prime Minister of Independent India. The speech was made to the Indian Constituent Assembly, on the eve of India's Independence, towards midnight on 14 August 1947.

The purpose of the speech was to capture the essence of the triumphant culmination of the hundred-year Indian freedom struggle against the British Empire in India. It was an inspirational speech made to the members of the Constituent Assembly who had to take their pledge to serve India.The audience of “Tryst with Destiny” included members of the Constituent Assembly and the interim government. The credibility of the speaker influences our acceptance of the person's message. His sociability, appearance, character, reputation, personality, sincerity, dynamism and composure all added credibility to the great speech. The purpose of the speaker was to inspire the people to build a new India which had gained its freedom recently. India no doubt had its strengths and weakness and this message was to inspire the people as well as their representative rulers to build India into a democratic and successful nation. It was a call to the members of the Constituent Assembly to take a solemn pledge to serve India and her people.

The speech also employed certain strategies to persuade the audience.It provided
Logos, about India's struggle to freedom and how freedom and power bring responsibility. It talks about the future of India and how the members of the assembly should "strive to fulfill the pledges to serve the millions who suffer and bring an end to poverty, ignorance, disease and inequality of opportunity."

It provides Pathos which appeal to the feelings of the audience, here the members of the Constituent Assembly. It states "A new star rises, the star of freedom in the east, a new hope comes into being, a vision long cherished materializes. May the star never set and that hope never be betrayed!" It appeals to the emotions of the members to never lose hope and as freedom brings in responsibilities and burdens they have to face them in the spirit of a free and disciplined people. Satyagraha was a major root for success of the seemingly never-ending struggle for freedom in India and this is deeply acknowledged in Nehru’s speech. The reference made to the concept and its pioneer, coupled with particularly effective pathetic appeal would only cause fierce patriotism and love in the heart of any Indian who listened to it because of the fervor with which they respected and idolized the Father of the Nation and his ideas.

The speech provides Ethos, by building of source credibility by making a reference to the Father of the Nation, Mahatma Gandhi, who "held the torch of freedom and lighted the darkness that surrounded us." It also makes a reference to the "unknown volunteers and soldiers of freedom who without praise or reward had served India even unto their death." Also to "the people who had been cut off from us by political boundaries." It demonstrates the intelligence,character and good will.

The speech is paced well, slow enough to be comprehensible and concise. Yet, he also makes the necessary pauses to exaggerate. His tone is authoritative and believable rather than commanding. He starts of with "what is" and "what could be" at the phrase level. Tells audiences about the "long quest of India, but have opportunity for greater triumph." Then "acknowledge pain and sorrow and believe the suffer of India would end." He jumps between the past and present constantly. "Before it was a fragment country but now they have united and become a joined country." "Past that clings on India then having a new hope that rises." This further motivates the audience. They remember the misery and problems they faced, and they look to the present as a chance for change. "Difficult problems they have to solve" then telling audiences to "face those problems with a spirit of discipline." He goes to the darkest history of India and then ends with the new bliss of what the future going to be.

The speech uses a plethora of literary devices to persuade the audience. In the line: "It means the ending of poverty and ignorance and disease and inequality of opportunity.",polysyndeton is used to stress the significance of each and every word spoken. An allusion is present in: "...and now the time comes when we shall redeem our pledge, not wholly or in full measure, but very substantially." to refer to the agony of partition. An anaphora to stress the importance of what he is saying."Peace has been said to be invisible; so is freedom, so is prosperity now, and so also is disaster in this world that can no longer be split into isolated fragments."An antithesis uses parallel ideas to let the assembly and the people of his country know what is and what could be. "The future is not one of ease or resting but of incessant striving so that we might fulfill the pledges we have so often taken and the One we shall take today.He omits conjunctions to make his speech fluent and meaningful, which is an asyndeton. "A new star rises, the star of freedom in the East, a new hope comes into being, a vision long cherished materializes."